What I’m Made Of

all my life I’ve wondered what’s inside of me,
what I’m really made of

is it all hope-driven gears, creak-cranking,
squeaky with cynical grease?

or is it luminous rays of wonder and awe,
eyes, blinking and seeking love, pure and true?

is it all smoke, a fevered kiln of passing time,
age-dried straw, a mess of flaking atrophy?

or is it a not-so-flash flood, raging, rising,
the result of an aching, beating heart?

is it all waves of water and crackling fire,
opposing forces, one constantly quenching the other?

or do I simply burn for all that I am not,
for all I do not have?

-artwork by my daughter

Rise

I long, again,
to feel the crisp kick of sunrise in my chest,
the awe of iridescent silver pouring over rippled water,
the sweet illumination of seeable song,
an angel lifting her head in a triumphant
hello

Communion

life has drastically evolved in our 26 years together,
and we, too, are not the same,
but, still, your smile softens the sharp edges of this hard world,
flapping its wings so high in the air it falls upon me like a meteorite,
its iridescent fabric trailing red thunder and liquid gold,
planting in my heart the kind of hopeful purple only communion can produce

I love you

Gardening

the sweet glow of summer rests,
ripened to golden on cheeks,
as fastidious fingers tug and pull that which is not meant to take root

a curious breeze blows welcomed secrets,
as deliciously sore muscles and hard-earned sweat unearth truths once hidden beneath the now upturned soil and rocks

anxious leaves rustle a whispered concerto in the tree tops,
as she gathers herself in handfuls,
piece by organically grown piece,
leaving behind for fertilizer that which is no longer useful above ground

and when the work for today is done,
she rests,
under the blue light of the August moon,
ready for the change a’comin’

-an older favorite

Where the Forest Meets the Stars

this fiery fever is fierce,
a shivering cold whose frosty fingers won’t let go,
the light so bright its too-sharp blades pierce everything,
no matter whether my eyes are open or closed

it’s slowly killing me;
I am liquid mercury,
trapped inside a glass maze where the unkept, curly vines overgrow through metal grates,
smothering, hovering,
like overread expressions on eyebrows I can’t escape

everywhere is too alive,
a contradictory evergreen that only seems to point to dead ends,
and I just have to keep turning back and forth,
a forced emotional mobility requiring a switching of gears too quickly,
so I end up nowhere far too often,
forcing me to ask myself:
is nowhere somewhere important?

and I can’t help but notice,
even after all this time,
I’m not able to triangulate the distance between carefree and unconscious,
there’s no formula for that,
and I’m afraid my fingers won’t find the right keys

I’m afraid,
but I also don’t want to continuously roam the same overgrown paths to the same dead ends,
so I shave the gooseflesh off my back and grit my eyes and put one foot in front of the other toward something else

I don’t know where I’m going –
I don’t know,
and maybe that’s the most honest answer anyone can ever give

I don’t know,
and even though it’s a lonely thing to have answers whose questions seem to have all died of natural causes,
I’m still searching through the maelstrom,
because my eyes are always drawn to the space between the bars,
to the place where the forest meets the stars

Metaphors

over nearly half a century,
time had worn her threadbare,
a tapestry of thinning, loosened threads,
mindlessly and obsessively pulled

as was necessary, sometimes her suffering was sad enough to silence the songbirds,
and other times, her joy was a melody others couldn’t help but to join

by now, she is a well-worn weather map of shared existence,
a lightening scorched scattering of scars,
a thunderous rattle of broken bones,
some not quite set right

but the seasons continue to change,
and she still manages to make leaves from nothing,
stretching her tired limbs toward the sky and offering herself bare to the thickening light

how is it, she wonders,
that I’ve become a minstrel of metaphor?
she hates metaphors

does shade have a shadow?
what else do we allow time to hide in plain sight?
why can’t something just be what it is?

if time has shown her anything,
it’s that she doesn’t need to ‘find her voice’,
she’s been forever truth-talking to herself,
and maybe, once upon a time,
she needed you to listen

now, she’s content in the simplicity of the knowing

Inside

there are inside jokes and references
words or gestures alluding
to some past shared experience
only the ones who were there
are meant to understand

they are a special kind of comradery
of understanding
a belonging to a unique, intimate collective

I think maybe I’m living an inside reality
one that is constant shadowed references
to a lonely past experience
only I seem to understand

it’s crazy –
I look around the room
and see familiar faces I almost know

they must remember
they were there, too

but, just like back then
they don’t want to acknowledge the shared experience
the inside of it all

they speak as if they know me
they make outside jokes
and talk about the past in a rose-colored highlight reel
leaving me on the inside, alone

they begin to come into uncomfortable focus

I realize –
I don’t envy that

Rising

all I hear is the beating of wings,
the murder’s grand explosion into the sky,
Mother Earth’s divine intuition raining from the shadowed tips of inky feathers, dispersing itself into the pink-red glow of daybreak,
illuminated phosphorous, igniting some kind of restlessness within me that’s been stirring,
a healing itch that’s nagging to be heard,
its melody begging to be sung at the top of my acquiescent lungs –
an ode to the outstretched, carefree soaring above,
to the whispering tops of the tallest of trees,
to the hope-filled breaking of every dawn,
to my voice,
to all that persistently rises

sing with me to the free-beating of wings,
let’s welcome the rising and all that it brings

-older poem, in honor of Earth Day

Resonant

I hate catching sight of myself without warning; I don’t recognize myself sometimes.
I think I know what I look like, a wishful, postage stamp echo of myself rooted in my mind’s eye, but am taken by surprise by the stranger looking back at me.
Reluctantly, I study the surprised stranger’s face, her curly, salt and pepper hair twisted onto the top of her head into a lazy bun, her naked, splotchy skin, the lines creeping toward her eyes like cracks in pavement.
“You look like shit,” I tell her.
The movement of her mouth mesmerizes me, it’s autocratic timbre resonant as it travels the gap between what is and what is not.
I make her speak some more.
“Fuck off,” she says, in my voice.
I smile at her and she smiles back.

-image via Pexels

Were Not Some Part of Her

there was once a hole in her heart where no love would grow,
a void not desolate, no,
it was an urban uproar,
expectations as tall and as sharp as city skyscrapers,
all angles and edges,
streets littered with elbows and crowded corners,
she a pedestrian on an endless,
one-way route of regret,
her yearning a suffocating smog,
a desperate redness swelling in her tired chest,
droplets of shameful acid rain
eroding roads,
rationalizations the pits and falls on the map to nowhere

were not some part of her made of steel and concrete,
her soul would have suffocated,
her lungs would have exploded against the weight

were not some part of her a cartographer,
bravely charting the void,
the child inside would never have ventured forth to find nourishment

were not some part of her a gardner,
feeding the green amongst the steel and concrete,
her heart would not now know such sustenance

were not some part of her an architect,
unafraid to draft and erase,
hope would have died long, long ago,
and her heart would not now be whole

-image via Pexels; older poem slightly revised