Rain

it’s not a midlife crisis,
it’s a cracking,
like thin ice on a puddle of water,
first just some hairline wrinkles around the eyes,
then the rest, all at once

it’s a 40-odd year journey of finally feeling free enough to crack,
of figuring out how to pick apart the shell and stand in the presence of myself,
of giving myself permission to unearth and to write,
but also to stalk my own soul,
and sometimes having too much of my own self

sometimes the stalking hurts,
if for no other reason than my skin doesn’t feel like it’s mine;
sometimes I panic,
because I’ve been staring at the answers for so long,
but can’t locate the questions

finding and asking the right questions,
speaking them out loud and in the open,
oh, God –
it turns the air around my words into weather

they say a person’s personality is the sum of their experiences,
but that isn’t entirely true;
if my past was all that defined me,
I’d never be able to put up with myself –
I need the freedom to convince myself that I’m more than the mistakes I made yesterday,
that I am all of my next choices, too,
all of my tomorrows

I am words into rain,
face upturned as the dirt around my bare feet becomes freckled with brown question marks,
my body a thing to be spoken with

and I reach out with open arms for those I love,
pulling them so close there will never be room for blame

Exuviae

I am the word shatter,
spidering cracks creeping to the edges,
a fragile soul covered in brittle bone and tender flesh,
as if one wrong move and I might become something else entirely

my arms twist and stretch toward something,
someone,
and just when I feel the promise of weight upon my upturned palms,
it all slips away like a ghost at daybreak,
and I am left here exposed,
alone

someone once told me the world shines shit and calls it gold, and they were right;
it makes you believe there’s another kind of life,
one that’s not so dangerous, fleshy,
full of absence so painful it takes your breath away and leaves you hollow, an exuviae,
a shadow of your almost self

I am the noise a glass makes when you run a finger along the rim,
the one that causes piercing pain,
the one that some can’t hear,
yet, I’m here

you can live your whole life dancing with the idea of mortality,
knowing that one day will be the last day,
and still never really know what that means

what does it all mean?

what happens if I am no longer this woman,
waiting to be loved in the way I let define me?

~Painting is Molting by Ben M. Arthur

Somewhere Else

as we sit in the quiet,
I wonder,
is enough of me still located here?

I lead a pretty normal life:
I work, I have conversations,
I make grocery lists and cook dinners,
I parent my children,
I am a wife;
I am not always stuck inside my selves

but it feels so often that part of myself is in this place,
while, at the same time,
the most important parts are in a different place,
a place that can’t be accessed in the mundane,
a place so deep I need to be alone to open,
be alone to sift through and allow to be free

you gently break the quiet;
you speak to me in your raspy voice and I can hear you,
I can talk and follow along the well worn paths we’ve created in our many years together,
but my most important parts are somewhere else,
and I can’t seem to locate them

Time

I have been wake-walking in a worn-out tired that’s perpetually nauseous,
ravenous for something, but not hungry, exactly,
raw in a way that takes me by surprise and frustrates me;
the most trivial things are the last straw,
and there seem to be so many lasts

I have learned it’s not possible to wake up on the wrong side of the bed when you never really slept,
when there was no restful sleep,
just the tiny spaces between the cyclical blips of a never-ending SOS

and no matter what face I put on,
I am not greener on the other side,
I cannot find the sweet, restorative spot,
and too many days it feels like life is a zero sum game –
you only win until you lose again

I have been here before,
in a place that was a slow slide into conscious unconsciousness,
and the difference this time is that I know where I am,
I know who I am as I rest my head on the warm side of the pillow,
because I don’t have the energy to flip it,
and the flipping is never fast enough, anyway,
is it?

time isn’t on my side, which is funny,
because time is the only thing that matters,
isn’t it?

and I just keep asking myself:
what would be the point of living,
if we didn’t allow time to change us?
if we didn’t realize that time is the purest form of love on this earth?

Prison

papering over the cracks doesn’t make them disappear,
but life is prettier when you do,
isn’t it?

but pretty is temporary;
paper is thin,
the sun goes down

I often wonder where other people go when they turn off the lights

are they peaceful?
do they drift and dream?

or, are there some, like me,
who often wander into the crevices within themselves,
digging around inside the shadows of their blackness,
clawing away at the dirt of memories they wish they could forget,
running from maybes and what ifs,
grasping at illusions,
hoping like hell no one else can see this fitfully desperate place?

daylight ignorance isn’t bliss,
it’s only fear postponed to a later date,
and control is an illusion that can only really be felt in the letting go

denial is the most destructive form of self harm,
isnt it?

it’s such an exhausting work,
and the truth is always there,
lurking in the shadows,
refusing to be silenced,
demanding to be seen when the lights go out

it’s a self-inflicted,
ruinous prison

I built my prison meticulously,
with solid walls made from bricks of guilt and obligation,
walls that seem to have no doors

but the way out is always there,
I just can’t always see it –
I have learned I just have to be willing to watch myself crumble

Where the Forest Meets the Stars

this fiery fever is fierce,
a shivering cold whose frosty fingers won’t let go,
the light so bright its too-sharp blades pierce everything,
no matter whether my eyes are open or closed

it’s slowly killing me;
I am liquid mercury,
trapped inside a glass maze where the unkept, curly vines overgrow through metal grates,
smothering, hovering,
like overread expressions on eyebrows I can’t escape

everywhere is too alive,
a contradictory evergreen that only seems to point to dead ends,
and I just have to keep turning back and forth,
a forced emotional mobility requiring a switching of gears too quickly,
so I end up nowhere far too often,
forcing me to ask myself:
is nowhere somewhere important?

and I can’t help but notice,
even after all this time,
I’m not able to triangulate the distance between carefree and unconscious,
there’s no formula for that,
and I’m afraid my fingers won’t find the right keys

I’m afraid,
but I also don’t want to continuously roam the same overgrown paths to the same dead ends,
so I shave the gooseflesh off my back and grit my eyes and put one foot in front of the other toward something else

I don’t know where I’m going –
I don’t know,
and maybe that’s the most honest answer anyone can ever give

I don’t know,
and even though it’s a lonely thing to have answers whose questions seem to have all died of natural causes,
I’m still searching through the maelstrom,
because my eyes are always drawn to the space between the bars,
to the place where the forest meets the stars

In the Dark

the chronic crackling catches
on the lumps in my throat
with each inhale

every forced expiration
is a labored, hollow whistling
keeping me awake

tiny punctures in the fragile lining
widen with every blink,
becoming jagged fissures

until I gasp and grasp
and try desperately to grab onto anything
that will help me patch the holes

so I close my eyes
and line these bankrupt lungs
with your whispered I love you’s
in the dark

-image via Pinterest, art by Codex Anotomicus