Metaphors

over nearly half a century,
time had worn her threadbare,
a tapestry of thinning, loosened threads,
mindlessly and obsessively pulled

as was necessary, sometimes her suffering was sad enough to silence the songbirds,
and other times, her joy was a melody others couldn’t help but to join

by now, she is a well-worn weather map of shared existence,
a lightening scorched scattering of scars,
a thunderous rattle of broken bones,
some not quite set right

but the seasons continue to change,
and she still manages to make leaves from nothing,
stretching her tired limbs toward the sky and offering herself bare to the thickening light

how is it, she wonders,
that I’ve become a minstrel of metaphor?
she hates metaphors

does shade have a shadow?
what else do we allow time to hide in plain sight?
why can’t something just be what it is?

if time has shown her anything,
it’s that she doesn’t need to ‘find her voice’,
she’s been forever truth-talking to herself,
and maybe, once upon a time,
she needed you to listen

now, she’s content in the simplicity of the knowing

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In the Dark

the chronic crackling catches
on the lumps in my throat
with each inhale

every forced expiration
is a labored, hollow whistling
keeping me awake

tiny punctures in the fragile lining
widen with every blink,
becoming jagged fissures

until I gasp and grasp
and try desperately to grab onto anything
that will help me patch the holes

so I close my eyes
and line these bankrupt lungs
with your whispered I love you’s
in the dark

-image via Pinterest, art by Codex Anotomicus

Inside

there are inside jokes and references
words or gestures alluding
to some past shared experience
only the ones who were there
are meant to understand

they are a special kind of comradery
of understanding
a belonging to a unique, intimate collective

I think maybe I’m living an inside reality
one that is constant shadowed references
to a lonely past experience
only I seem to understand

it’s crazy –
I look around the room
and see familiar faces I almost know

they must remember
they were there, too

but, just like back then
they don’t want to acknowledge the shared experience
the inside of it all

they speak as if they know me
they make outside jokes
and talk about the past in a rose-colored highlight reel
leaving me on the inside, alone

they begin to come into uncomfortable focus

I realize –
I don’t envy that

Lies

you tell yourself what you think you need to,
rationalizations, one after the next,
constructing and threading and weaving
in order to go on

you meticulously dig and bore and bury,
you force it down, down, down,
into the sinister pit, caging it away,
resigned to doing whatever it takes to keep it there,
fear and shame fueling the defiance

and you mercilessly protect it,
clutching the lies like a shield,
believing the pain will be lesser and the humiliation slighter,
if only no one can see it

except it only grows and metastasizes,
the loathe a burning itch,
the fear always there,
just beneath the surface of your skin,
the shame a purpling, omniscient bruise,
an ache invading,
taking up more and more space,
taking over

there it is –
in your eyes that say what your mouth does not,
in the slight recoil at a simple touch,
in the humiliating burn behind your eyes that threatens to spill in revealing droplets,
in the distance you keep,
no matter how close you get

there it is,
in the silence,
a clamoring so loud,
it won’t ever allow you rest

it never stays down –
I know,
I’ve told myself the same lies

-older poem revised

Stories

I have stories I only tell my friends.
Well, stories I’d only tell my friends, if I had any.
I often compose entire conversations in my mind: dramatic pauses, emphatic inflections, animated exclamations, even slow, sheepish whispers during the most difficult parts.
I feel my face move in tandem with the words, my heart race with every tumbling emotion.
I feel your compassionate hand reach for mine.
I feel your face light up with glee, your chest ignite with laughter.
I imagine how you’d feel being trusted with my stories.
I imagine how I’d feel trusting you with them.
Sometimes I tell them out loud to the empty room, wishing you were here to listen, whoever you are.
I have stories I only tell my friends.
Well, stories I’d only tell my friends, if I had any.

Imposter

this shaky pencil scratches and claws at the persuasive paper,
a brittle, broken bird wing lifting and slapping itself against the emptiness,
line after desperately vacant line staring back, mockingly,
and I am stranded,
stuck at the end of the poor man’s queue

this lizard brain is powerless as it goes through the habitual motion of attempting to regurgitate something,
to manufacture anything,
for god’s sake

something like words make it to the page in jagged slices of shale,
crumbling at the weight of every second glance,
until finally peeling back their imposter costumes,
only to reveal soot covered vacant lines

what can I expect when,
instead of lead,
it’s only dust?

-image via Pixabay

Were Not Some Part of Her

there was once a hole in her heart where no love would grow,
a void not desolate, no,
it was an urban uproar,
expectations as tall and as sharp as city skyscrapers,
all angles and edges,
streets littered with elbows and crowded corners,
she a pedestrian on an endless,
one-way route of regret,
her yearning a suffocating smog,
a desperate redness swelling in her tired chest,
droplets of shameful acid rain
eroding roads,
rationalizations the pits and falls on the map to nowhere

were not some part of her made of steel and concrete,
her soul would have suffocated,
her lungs would have exploded against the weight

were not some part of her a cartographer,
bravely charting the void,
the child inside would never have ventured forth to find nourishment

were not some part of her a gardner,
feeding the green amongst the steel and concrete,
her heart would not now know such sustenance

were not some part of her an architect,
unafraid to draft and erase,
hope would have died long, long ago,
and her heart would not now be whole

-image via Pexels; older poem slightly revised

Headlights

all around me, the world seems to move on,
people whirling in a constant spiral toward something else, and something else,
objects in motion drawing lines around my standing body

here I am, chronically nestled into the shadows,
a racing heart chasing the gleaming trail of lurid headlights that periodically cross the ceiling,
all the time wondering,
do you see what I see?

-sculpture by Kumi Yamashita

Earth and Alchemy

I think these walls are killing me

in the half-light of the drapery-filtered morning,
breathing is nearly unbearable;
the fan whirs with its white-noised voice,
failing in its attempt at swallowing the stagnancy,
managing only to distribute it in an oscillating,
luke-warm stream that, every few seconds,
blows directly into my face,
making my breath catch in a baby breath gasp,
the unsure gasp of not knowing from where the next will come

I think these walls are killing me

I sit, immobile, acutely aware of my mass,
of the blood begrudgingly pumping its percussive rhythm in my temples,
of the defective dampness emerging on my forehead,
of the ever-growing patches of petechiae-speckled skin,
evidence of an incurable itch that has risen up from the fate that is history-stitched to the soles of my flattened feet

I think these walls are killing me

I long for a singular, bottomless breath,
for the autonomous, unfiltered sunlight and its searing warmth upon my face,
for the forced closure of my eyes,
for the rays’ piercing, pinky-red glow on the backs of my tired eyelids,
and its tender, ruby kiss lingering on the pasty surface of my gossamer cheeks

I long for earth and alchemy

-image via Pixabay