Prison

papering over the cracks doesn’t make them disappear,
but life is prettier when you do,
isn’t it?

but pretty is temporary;
paper is thin,
the sun goes down

I often wonder where other people go when they turn off the lights

are they peaceful?
do they drift and dream?

or, are there some, like me,
who often wander into the crevices within themselves,
digging around inside the shadows of their blackness,
clawing away at the dirt of memories they wish they could forget,
running from maybes and what ifs,
grasping at illusions,
hoping like hell no one else can see this fitfully desperate place?

daylight ignorance isn’t bliss,
it’s only fear postponed to a later date,
and control is an illusion that can only really be felt in the letting go

denial is the most destructive form of self harm,
isnt it?

it’s such an exhausting work,
and the truth is always there,
lurking in the shadows,
refusing to be silenced,
demanding to be seen when the lights go out

it’s a self-inflicted,
ruinous prison

I built my prison meticulously,
with solid walls made from bricks of guilt and obligation,
walls that seem to have no doors

but the way out is always there,
I just can’t always see it –
I have learned I just have to be willing to watch myself crumble

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Gardening

the sweet glow of summer rests,
ripened to golden on cheeks,
as fastidious fingers tug and pull that which is not meant to take root

a curious breeze blows welcomed secrets,
as deliciously sore muscles and hard-earned sweat unearth truths once hidden beneath the now upturned soil and rocks

anxious leaves rustle a whispered concerto in the tree tops,
as she gathers herself in handfuls,
piece by organically grown piece,
leaving behind for fertilizer that which is no longer useful above ground

and when the work for today is done,
she rests,
under the blue light of the August moon,
ready for the change a’comin’

-an older favorite

Where the Forest Meets the Stars

this fiery fever is fierce,
a shivering cold whose frosty fingers won’t let go,
the light so bright its too-sharp blades pierce everything,
no matter whether my eyes are open or closed

it’s slowly killing me;
I am liquid mercury,
trapped inside a glass maze where the unkept, curly vines overgrow through metal grates,
smothering, hovering,
like overread expressions on eyebrows I can’t escape

everywhere is too alive,
a contradictory evergreen that only seems to point to dead ends,
and I just have to keep turning back and forth,
a forced emotional mobility requiring a switching of gears too quickly,
so I end up nowhere far too often,
forcing me to ask myself:
is nowhere somewhere important?

and I can’t help but notice,
even after all this time,
I’m not able to triangulate the distance between carefree and unconscious,
there’s no formula for that,
and I’m afraid my fingers won’t find the right keys

I’m afraid,
but I also don’t want to continuously roam the same overgrown paths to the same dead ends,
so I shave the gooseflesh off my back and grit my eyes and put one foot in front of the other toward something else

I don’t know where I’m going –
I don’t know,
and maybe that’s the most honest answer anyone can ever give

I don’t know,
and even though it’s a lonely thing to have answers whose questions seem to have all died of natural causes,
I’m still searching through the maelstrom,
because my eyes are always drawn to the space between the bars,
to the place where the forest meets the stars

Enough

we were skin to skin,
our heat a ravenous, tangible entity between us,
and I could feel myself thawing beneath it,
softening around the edges,
like the petals of a freshly-emerged flower ready for bloom

we spent hours exploring one another,
all night,
night after endless night

all I remember is white everywhere:
the white glow of moonlight creeping around the edges of the curtains,
the white-hot need bursting behind my eyelids,
the whites of his eyes staring so deeply into me,
his teeth beaming from between his lips in a grin, a growl, a pleasure-pain grimace,
his pale white skin against the soft gray sheets

I’d never known skin could be so luminous and translucent,
a network of purply-blue veins visible just beneath the surface,
like threads of color in white marble,
threads that connected us so completely,
I couldnt tell where he ended and I began

through flesh and unmetered time,
I absorbed his calm,
his vulnerability,
his joy

I said yes to things I previously would not have;
I reveled in this new person I became,
this less afraid person,
this free person he inspired me to be

we fucked all the time;
I was consumed with lust,
perpetually, urgently hungry for him,
for this coupled metamorphosis

l needed to touch him,
meld with him,
know him,
to shed all the layers of contrived bullshit –
for him to know me

I couldn’t get enough

Metaphors

over nearly half a century,
time had worn her threadbare,
a tapestry of thinning, loosened threads,
mindlessly and obsessively pulled

as was necessary, sometimes her suffering was sad enough to silence the songbirds,
and other times, her joy was a melody others couldn’t help but to join

by now, she is a well-worn weather map of shared existence,
a lightening scorched scattering of scars,
a thunderous rattle of broken bones,
some not quite set right

but the seasons continue to change,
and she still manages to make leaves from nothing,
stretching her tired limbs toward the sky and offering herself bare to the thickening light

how is it, she wonders,
that I’ve become a minstrel of metaphor?
she hates metaphors

does shade have a shadow?
what else do we allow time to hide in plain sight?
why can’t something just be what it is?

if time has shown her anything,
it’s that she doesn’t need to ‘find her voice’,
she’s been forever truth-talking to herself,
and maybe, once upon a time,
she needed you to listen

now, she’s content in the simplicity of the knowing

Seasons

Freeze from sapphire heavens creates white earth,
melting to steady rain, sparking rebirth.
Soon, sun burns a fierce smolder,
long days turn to nights colder,
as colors fall, fading, crackling last mirth.

*An older limerick resurrected in celebration of the start of my summer!

Fragile

she framed in a charcoal outline
the smoke and mirror eyes
that either drew people in
or shuttered them out

everything is so definite

she imagines herself as a bird,
perched and spinning,
observing,
perhaps something soulful like Keat’s nightingale,
or maybe something darker,
less likely to fade into the background,
like a scribbled crow from Van Gogh’s wheat field

everything is so definite

how much time had passed
standing in one place,
she wondered

I wish the wheel could spin backward –
I wish I deserved his forgiveness
I wish he could love me again

it became obvious –
the ones who were drawn in
were like moth to flame
and always perished in her fire

everything is so fragile

Ashes


my hands smell like cigars
and the cigar box smells like you
your fake Rolex has some tarnish
it’s charred hands no longer move
my lungs are full of tar
and white smoke fills the room

my hands smell like cigars
and the cigar box smells like you
your silver zippo lost its polish
as your fingers searched for truth
the photos all wear fake smiles
and the eyes are empty rooms

my hands smell like cigars
and the cigar box smells like you
my letter sits in folds
words unspoken split in two
my lungs are full of tar
and white smoke fills the room 

you slipped through my fingers
like the smoke that filled the room
my hands smell like cigars
and the cigar box smells like you
these memories are ashes 
and this cigar box is a tomb

-image via Pinterest